Fashion: The Fit

Review: Trinity Taylor's Love for the Art Tour in Minneapolis

The season 9 stunner and All Stars 4 frontrunner held the Flip Phone-presented competition at The Pourhouse

Photo: DerekPlease.com

Photo: DerekPlease.com

Trinity the Tuck emerged on The Pourhouse stage with an energetic lip-sync performance of the hypnotic, dark pop Kim Petras bop “Turn Off the Light (feat. Elvira).” Her tight lip sync, gorgeous ruffled outfit and energetic strutting got the night off to a fun start. 

She then threw herself into full-on MC mode, introducing the concept of her Love for the Art Tour, a nationwide series of drag competitions starring local queens. Minneapolis was the sixth tour stop so far, and as the night went on, she declared it the tightest competition yet. 

Photo: DerekPlease.com

Photo: DerekPlease.com

The talented Trinity MCed the competition with self-effacing humor, like telling the audience she would weigh 100 pounds if it weren’t for the “85 pounds of silicon” in her body. The first round was a look presentation, with each of the contestants showcasing a gag-worthy drag couture. The audience took the competition seriously, too, as I noticed a few people with paper and pen keeping track of their favorites.

  • Carińo came out in a blush-colored belted gown, and vamped along to a monologue about drag that transitioned into a Spanish-language pop song.

  • Allota Shots brought everyone back to the 90s wearing by their best Magic School Bus drag (literally, they stepped out of a bus they was wearing around their hips). From planets on their head, to makeup and hair inspired by Miss Frizzle, and a galaxy-pattern dress, the look was out of this world. Their look presentation was soundtracked to the show’s theme song, too. Trinity the Tuck said, “If drag doesn’t work out for you, you’ll be an arts and crafts genius, bitch!”

  • Giselle Ovarmé showcased an iridescent, crystallized costume with a silhouette reminiscent of The Fame Monster-era Lady Gaga. A haunting atmospheric track played in the background. Trinity thought Giselle looked like a mermaid.

  • Drag queen and king Meshika Shadows first appeared in a pink glitter gown with a long, flowing white train. The train was so big someone had to help them walk it down the stairs. They showcased the sparkling, flowing beauty of the piece while P!nk’s “What About Us” played.

  • The statuesque Laydee Swallowz donned a slim-fitting, glittery, star-covered dress with a matching headpiece. It was accentuated with dark aquamarine drapes hanging off their arms. Old Hollywood music hung in the background. They went above and beyond by getting on a microphone to describe their look as “glamour and Lisa Frank.”

  • Victoria Boom Boom Gotti rocked a stunning curled wig, which was perhaps the best hair of the night. Their black glittered dress caught the eye of many fans, and they received some of the most generous tips of the night. The chill R&B song “Queen” by Jessie J was a sensual backing track to their presentation.

  • Ty Torres wore a large feathered piece around their shoulders, and a matching feathered headpiece. The shoulder piece came off in two, as handheld fans they waved around for the audience. Trinity the Tuck was impressed, shouting, “Come on full production, let’s get sickening!” 

  • Local favorite Martina Marraccino of Queer Circus wore an ornate green dress with plants coming from it. It contrasted beautifully against their bright red gloves and stilettos. Their silver headpiece sparkled, and had plant life bursting out the top. Trinity joked about being “hypnotized” by this performer in the dressing room. “Don’t ‘dickmatize’ me, bitch!”

  • The gorgeous Moéh stood tall in a pink dress with a squiggle design, a black belt and black shoulder pads. Their blonde-with-dark-roots wig recalled Madonna’s Hard Candy era hair looks.

  • Rosie Bottoms wowed the crowd wearing a red wig, and a floral print dress with a large bird puppet coming out the front. The puppet was hand-operated, and created the illusion that they were riding on its back. This was achieved by Rosie wearing long stilts on their legs, covered with bird leg-patterned material.

  • Priscilla Yuicy did their best runway walk onto the stage, soundtracked to Rihanna’s “Phresh Off the Runway.” They rocked a large updo, a green felt jacket, and long silver boots. The coat came off to reveal a silver, chain mail-inspired dress. The music transitioned into an audio recording of Samirah Raheem’s epic anti-slut shaming conversation with Jesse Peterson, which has gone viral. 

Round two was the performance category, which included lip synced performances and even some live instrumentation. DJ Izzie P kept things moving with minimal downtime between performers’ tracks.

  • The bouncy Carińo broke it down to a Spanish-Language dance track. Their intricate arm choreography and death drop were so good, Trinity asked them to teach the audience how to pronounce their name so they wouldn’t mess it up.

  • Allota Shots came out dressed like Mary Poppins, umbrella and all. They performed along to a dubstep mega mix of songs from the classic Disney flick. Shots even spiced Poppins up by taking off their overcoat to reveal a slinky bodysuit underneath. The performance inspired Trinity the Tuck to troll the crowd, saying, “If you can spell ‘supercalifragilisticexpialidocious,’ I’ll give you $500… and if you believe me, I’m lying!” 

  • Double entendre queen Giselle Ovarmé straddled a venue staircase as they entered wearing large, holographic angel wings and a shiny costume. The iridescent outfit played well in the stage lights, soundtracked to a lip-sync of “The Cold” by Exitmusic. During the final chorus, the angel wings were revealed to be rigged with dazzling LED lights.

  • Meshika Shadows slayed in a green, glittery kimono-shaped dress. They showed off their lip-sync skills to P!nk’s cover of “A Million Dreams” from the film The Greatest Showman, before a high energy transition into Katy Perry’s “Part of Me,” including several many cartwheels back and forth across the stage. Trinity was impressed by the full costume change Shadows did between the two songs. 

  • Laydee Swallowz donned a short, white 1920s flapper dress. Their lip-sync was to Miss Shirley Bassey’s legendary vocal recording of “History Repeating.” She had a classy updo with gems in it. They had several layers which came off, including a chest piece that revealed a pink triangle, and a back piece that revealed the word “RESIST.” They ended the performance with a fist of power. Trinity the Tuck complemented their Bob Fosse-inspired moves. 

  • Victoria Boom Boom Gotti came correct with a remix of Kesha’s “Woman." Gotti led the crowd in a clap-along as they yanked off a smock that revealed a black body suit underneath, complete with revealing cutouts. Their high energy choreo stunned the audience, as did their death drop into a rain of cash. Trinity was also shook, stating “I wouldn’t wanna lip sync against her.”

  • Ty Torres came back to deliver an amazing performance of “Devil Went Down to Georgia” by Charlie Daniels. Torres’ denim cowboy look with human and devil makeup on either side of their face perfectly fit the song’s lyrics. Torres did not have a fiddle like the song references, saxophone, which they played live. “That’s a talent,” Trinity declared. 

  • Martina Marraccino returned to the mic for an impressive live vocal performance of “A Million Reasons” by Lady Gaga. Their singing showed restraint, was on pitch, and sounded great alongside a live-sounding acoustic guitar recording. Their yellow and black cow-print smock was hilarious and went with the country sound of the track. Their vibrato was gorgeous, and a fellow audience member agreed with me. Trinity couldn’t resist referencing her All Stars 4 sister Monique Heart by saying, “Yes, yellow cow stunning!” 

  • Moéh lip-synced Florence and the Machine’s 2018 cover of the classic song “Stand by Me.” The stage lights accentuated Moéh’s gorgeous white wig and pink and silver gown. 

  • Rosie Bottoms came for blood with a high-energy performance of “Scheiße” by Lady Gaga. Wearing an aquamarine, see-through lace jumpsuit and white slouchy boots, Bottoms brought the house down with big choreography. This included a death drop which went into high-octane floor choreography. An astounded Trinity said, “I’m out of breath just watching her. I need to go to the emergency room!”

  • Priscilla Yuicy also brought the heat with the Ciara song “Got Me Good”; cool timing, because Ciara was a guest judge on that night’s episode of RuPaul’s Drag Race All Stars 4. Their red glitter cape come off to reveal an orange dress with a black lace back. In a twist of events, that dress also came off, unveiling a jeweled red bodysuit. Like Bottoms before them, Juicy dropped to the floor to do intricate floorwork. Yuicy's dancing here was some of the fiercest of the night. 

After Bottoms and Yuicy almost literally brought The Pourhouse down with their savage, high-energy performances, Trinity the Tuck welcomed all the contestants back to the stage. She delivered a powerful speech about how much the night and the tour at large meant to her, before asking the crowd to vote for their favorite performers by cheering the loudest for their pick. 

Photo: DerekPlease.com

Photo: DerekPlease.com

Photo: DerekPlease.com

Photo: DerekPlease.com

One by one, contestants were lovingly eliminated and thanked for their work. Lots of standouts left the stage, before it was down to Rosie Bottoms and Priscilla Yuicy. Bottoms won by a small crowd noise margin, so Trinity declared Yuicy would also advance to the national round of the Love of the Art Tour competition. For their slayage, Bottoms won $500 and Yuicy snatched $100. Trinity thanked the Minneapolis crowd, which was audibly delighted to have two representatives going to Los Angeles. 

Photo: DerekPlease.com

Photo: DerekPlease.com


Who’s your favorite drag queen, local to you? Tag them in a tweet to me! @DerekPlease

Exclusive: Monét X Change Talks Touring & RuPaul's Drag Race

To know her is to love her. Monét X Change was not only a fan-favorite on RuPaul’s Drag Race Season 10, but a cast-favorite as well; her own competition voted her Miss Congeniality, in a special election after the public Internet poll was hacked. It was a privilege to speak to this wise and polished performer prior to her upcoming national tour, Murray & Peter Present War on the Catwalk: The Queens of Season 10.

Photo © Monét X Change

Photo © Monét X Change


Derek: How has your life changed since appearing on RuPaul’s Drag Race season 10?

Photo © Monét X Change

Photo © Monét X Change

Monét X Change: My life has changed by being able to travel and show the world all that I've learned by being one of the top queens in NYC; comedy, drama, “dancing," and singing.

D: What was it like being voted Miss Congeniality by your fellow cast mates?

MXC: Being voted Miss Congeniality was, seriously, very shocking to me. Like, I knew that I was genuine with the other girls during filming, but to see them acknowledge and honor me for that was very humbling.  

D: Your music video “Soak It Up (feat. Bob the Drag Queen)” wrings out your memorable, meme-worthy sponge costume for laughs. Do you have any fun memories from shooting it? 

MXC: First of all, ...it's a gown. How dare you?! Shooting with Bob was so much fun. My favorite memory was adhering the poof to Bob's head. He hated the poof when the show aired, and it brought me nothing but joy and pleasure to make him wear one. 

D: How did your collaboration with Bob come about? 

MXC: Because the thought of me doing anything without him makes Bob very jealous. So, he weaseled his way into my damn song! 

D: This summer you appeared on another iconic TV show, What Would You Do? Your segment explored bystanders’ reactions to two parents disapproving of their son being a drag queen. What was your main takeaway from that experience? 

MXC: My main takeaway was seeing how bold and understanding New Yorkers can be. Most of the diners were ready to stand up to those parents, without knowing anything about him. I think it really speaks to the hearts of most New Yorkers. 

D: You’re about to begin co-hosting Murray & Peter Present War on the Catwalk: The Queens from Season 10 with Miz Cracker. What can your fans expect to see on the nationwide tour? 

MXC: I think my fans can expect to see me in my natural habitat, telling jokes, being silly and making them laugh. Cracker and I worked together for a very long time in New York City, so we have a dynamic that you can't buy. We know each other very well, and are able to bring an audience into our realm of comfortability ...while making fun of Yuhua [Hamasaki]’s terrible "fashions."


Watch: Madonna Releases Met Gala 2018 Performance Recording

As a special gift to fans on her 60th birthday, the Queen of Pop dropped the professional recording of her May 7, 2018 performance. 

Source: YouTube

Source: YouTube

Every Madonna fan can relate to the phrase "playing the long game," as official video releases from today's birthday girl often take months or years to come to fruition. In fact, some of her most tantalizing tapes from decades past exist only on VHS, or are locked away in Hollywood vaults. Three months, then, wasn't so long to wait for this gorgeously edited official version of Madonna's May 7, 2018 Met Gala performance.

The theme of Anna Wintour's 2018 Met Gala was Heavenly Bodies: Fashion and the Catholic Imagination. Since Madonna has explored her Catholic upbringing and the Church's aesthetic across almost her entire career, she was the obvious and rightful performer choice. 

The 13-minute video clip was produced by NCR Films, the production company of Nathan Rissman. Rissman is a frequent Madonna collaborator; he directed her Rebel Heart Tour and Sticky & Sweet Tour films, "Give It 2 Me" and "Miles Away" music videos, and 2008 documentary I Am Because We Are, written by Madonna about the AIDS pandemic in the African country of Malawi.

"Madonna - Met Gala 2018" is edited in a style reminiscent of her recent MDNA Tour and Rebel Heart Tour video releases. This fast-paced, multilayered video editing style tends to divide fans, but I enjoy how it so conveys the excitement of physically attending a Madonna show. The editor in question, Danny Tull, has edited nearly every Madonna video release since her 2006 The Confessions Tour film.

Her performance consists of three songs; the choir-assisted "Like A Prayer," the brand new song "Beautiful Game," and a striking cover of Leonard Cohen's "Hallelujah," in the style popularized by Jeff Buckley. Madonna's voice is strong, clear and dynamic throughout. It might be one of her best live audio recordings to date. 

She also published a statement on Instagram explaining the surprise video release:

In celebration of my birthday🎂🎉💕 , and as a “thank you” for all your donations on my Birthday Fundraiser, I wanted to share a very special performance from this year’s Met Gala 🎉🎂💕🙏🏻🇲🇼 🎼
Check out on my YouTube page and enjoy entire performance! #celebrate #raisingmalawi #homeofhope #metgala #likeaprayer #blessed 🙏🏼 @ncrfilms @dannytull
— @Madonna on Instagram

You can donate to Madonna's birthday fundraiser here. Every dollar raised will go directly to meals, schools, uniforms and healthcare for children in Malawi. Ripple will match every dollar donated to this campaign!

Whatever you think of Madonna or her video editing style, please take a moment to reflect on her art and legacy so far, as we celebrate her 60th birthday today. "Where's the Party"? Everywhere!


Tell me how you are celebrating #Madonna60
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Full Gallery & Tea: Britney Spears' New KENZO Campaign

Her "Secret Project" has finally been officially announced and fully revealed. 

Plus, an exclusive VOGUE Magazine interview features Britney's candid thoughts on her past and current fashion sense. 

ALL PHOTOS: Peter Lindbergh for KENZO Paris

ALL PHOTOS: Peter Lindbergh for KENZO Paris

Britney Spears has always been a fashion icon - to Millennials. Even when Baby Boomer media ridiculed her fashion "mistakes," her fans celebrated them as instantly iconic milestones. Now everyone is on board, thanks to her new campaign with Paris fashion house Kenzo, shot by renowned photographer Peter Lindbergh

Remember that "Secret Project" I theorized about a while back? Turns out it was this fashion campaign. 

Even Vogue Magazine wanted more tea, and landed an exclusive interview with the Princess of Pop "Just Yesterday." In it, Britney describes her fashion sense throughout her life, pop career, and experience with motherhood. 

You can read the whole interview here, but these are my favorite revelations:

1. Ms. Spears thinks '80s fashion was "ugly." But is she wrong?

2. Vogue, of course, has the perfect one-sentence encapsulation of "Momney" style: 

The days of schoolgirl miniskirts and red vinyl catsuits are far behind her, and she tends to gravitate toward more practical, bohemian-inspired clothing, mostly in a palette of soft ivory and white.
— Brooke Bobb for Vogue Magazine

3. Her sons' untamed fashion sense is inspiring her to make daring choices again. 

4. Even Vogue Magazine appreciates her popular Instagram runway videos. 

5. She mostly wears nightgowns at home - but we been knew. How very "The Intimate Britney Spears" of her.

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Special thanks to @BraveNewMatt on Twitter for rounding up all the official campaign images.

You can shop Britney Spears' KENZO campaign looks here.


Chat with me on social media: @DerekPlease on all platforms

and don't forget to use #KENZOLovesBritney to promote her campaign!

Exclusive: "Get Free > Creep #TeamLana" Soft Tee

The DerekPlease.com Store has its first ever piece of clothing! 

DerekPlease.com Store

DerekPlease.com Store

You may have heard about Radiohead accusing Lana Del Rey of copying their song "Creep" with her song "Get Free." This fanmade t-shirt design celebrates the clearly superior song - "Get Free."

Buy yours today!

[This flash sale has ended.]

Stay tuned for more pop culture-inspired exclusive designs! 


Follow @DerekPlease across all social media for exclusive updates: